Future City exhibit was interesting more for how they put the show together than the actual material in the show. They used POD self storage containers as mini exhibit spaces that were positioned in two main locations on both ends of Little Tokyo. Such a smart and terrific idea. Instantly inspired me to do a Comic Book/Art Show in a similar fashion. I also spent time checking out an animated short by one of my favorite artists Koji Morimoto. I was hoping it would be presented on a larger screen but it was still fun to watch it projected onto the back of it's own Pod container. Giant Robot was also there with a mini version of one of their stores.
Japanese American Museum 's retrospective on Comic legend and master Stan Sakai and his fantastic creation Usagi Yojimbo. I've always been a fan of his amazing work. A chance to see some of his work up close. A true treat for art and Comic Book fans. A must see.
I also made time for the Art In The Streets at MOCA Giffen. I didn't think it was possible for them to top their Murakami exhibit from a few years back but this is on the same level in terms of scale and a commitment to showing off the grit, the lifestyle and in some cases beauty of so called "Street Art'. All the usual suspects are there Shepard Fairey, Banksy etc The attention to detail and the variety of art work on display is staggering and a welcome. Even the Levi's film exhibit was interesting.
Kinokuniya bookstore and Curry House. From the second floor I saw an interesting store across from the mall. This little shop is called "Q Pop" . The minute you walk in the store it's like entering a whole other mental space. Part retro James Bond 60's hideout and part Harujuku hole in the wall Art Otaku paradise. Q Pop it wall to wall with cool art objects. I learned that all the clothes, jewelry, designer toys are all one of kind. I was able to meet the co-owners and they were kind enough to let me take a few shots. The store is co-owned by artist Christopher Mitchell. Christopher is a Emmy nominated storyboard artist on such great shows as Sponge Bob Squarepants, Samurai Jack, Power Puff Girls and is now working for Disney Feature Animation. Q Pop is definitely a must see shop when cruising LA for new and unique artist driven merch.
Sunday, July 17, 2011
Tuesday, July 05, 2011
I attended Anime Expo this weekend and every year I go I notice the divide between the Anime and the American Comic creator culture grows wider and wider apart. If you walk through the artist alley you will see the difference right away. It's 85-90% female creators. Which at a comic show would be the reverse. The average age of the artists seems to be in the late teens to mid 20s. Go to a comic show the average age of a creator seems to be 30+. The look of the tables is totally different. Every table has a variety of prints displayed above and below the table as well as banners, stands and various shelving. It reminds me of a cross between Open House in elementary school and a homemade school carnival. That's in no way an insult. In fact I admire their uninhibited creativity. They are as much fans as creators. They are consumers and creators of content at the same time. They also sell anything and everything. Homemade Etsy style jewelry and stuffed animals, Mangas, Comics, prints, bookmarks and it seems every type of button pin known to man. They try anything and everything to present their work. They approach it with an "anything goes" mindset to creating product. They don't seem to judge each other because they are above all else part of the same Otaku culture. It's one big creative party. If it's cool to you...you sell it. To me these artists are on the cutting edge of the Artist/Hobbyist/ Pro Am movement.
The biggest difference between the Anime/Manga and the American Comic community is that most of the Comic creators are either working in the Comic Book industry or in some other visual arts medium. Toys, Video Games, Animation, Special Effects. The Anime artists don't really have a professional medium to graduate up to. They are a soldier without a country so to speak. No matter how big they get selling their work at shows, they will most likely never have their own animated show in Japan and or have their work printed in the world wide Manga industry. The shows and their out reach through Deviant Art and various sites are the height of their expression from a professional perspective. Therefore they go all in with their creativity and work. I for one appreciate what they do. I purchased several Mangas/Comics in the artist alley. As the Pro Am Anime /Manga movement grows and creates a hierarchy I believe soon the fans will want the work of artists that come up through the Pro Am movement as much as the artists who create content from Japan. It seems inevitable that as a group they will eventually put one of their own on the same level as a Japanese creator. On a small level I'm already seeing certain artists beginning to make that leap into that role.
My hope is that the DIY creator culture will continue to grow and become self sustaining and not put creators in a position where they have to sell their work to a large company to get the type of exposure and financial security their ideas deserve. I'm not saying they shouldn't sell their ideas to a big company but it should be one of many options for success not the only one. The Anime/ Manga community seems to be on the cutting edge of this movement. Mainly because they are pushing the boundaries of storytelling, product and digital techniques. They have the freedom to do what they want and they are using that freedom with startling results. Every art form needs fresh ideas and creators that are willing to push the boundaries of what is considered good and acceptable. History has shown that what seemed underground and niche has a way of becoming the mainstream darling in the future. Anime/Manga has proven this. Eventually the storytellers and artists coming up through that movement will do the same. I for one am looking forward to it.